Theatrical Ageing/Creping of the skin
You will need:
Supracolor whith can be mixed with grease based foundation
to make good colours that can be seen from far away which is needed in theatre.
For aging use yellow, green and red to create a brown and darken it if you need
to with dark blue or black.
Black and orange Stipple sponges are good for creating
texture and are versatile so are good to always have in your kit.
Old make-up puffs can be used for special effects, don’t use
new ones as they will get stained and ruined.
Stipple- latex based product so always patch test.
Latex- use art brushes to apply or old make-up brushes you
don’t mind being damaged.
To protect the skin from stipple use Pro shield or another
non-greasy barrier cream, don’t use moisturiser as it allows other products
through it and doesn’t create a barrier.
To set a make-up you can use fixing spray or a very good
quality hairspray but this isn’t as good.
Kryolan tooth enamel can be used to block out teeth
completely or to make them look decayed. Black to block teeth out, brown to
make them look decayed.
Make-up artists need to have good research skills so that
the work they create is accurate and believable. They also need to be very
observant as they need to notice small details and mistakes.
For theatre you need to think about the historical period,
the character, the characters background, the storyline and the actor’s needs.
Method:
Theatrical aging:
If you are not using prosthetics then moisturise the skin.
Apply base make-up as you would do normally.
Use the red, yellow and green Supracolor palette to make a
dark brown.
If you need to clean your palette use tissue and brush
cleaner.
Ask your model to move their face for example smiling,
frowning, raising their eye brows and screwing up their eyes so that you can
see where the natural creases in their skin are and where the dark lines and
wrinkles need to be.
Shade under the cheek bones, under the chin, on the temples,
down the sides of the nose, under the lips, under the eyes and anywhere else
that is needed to make the skin look hollow.
Blend in with your fingers if you need to.
Highlight using the white Supracolor with a bit of yellow or
skin colour mixed in especially if it’s for TV and film as just white on its’
own can have a blue tinge to it on camera. Use it on the cheeks, down the nose
and wherever else you think needs it.
Remember to carry on the wrinkles detailing down the neck
and on any other skin that will be on show.
Use the same colour and apply to the eyebrows and eyelashes
using a mascara wand. For the eyebrows go against the direction of hair growth
and then in the direction of hair growth.
Often contact lenses are used for aging as older people
usually have duller eyes however these will be fitted by the actor themselves
or by a specialist.
Apply base make-up over the lips to make them look duller.
To create broken veins use red Supracolor and apply with a
black stipple pad, blend in with a brush or your fingers if you need to.
Teeth
Dry teeth with a cotton bud as the enamel will not adhere to
the teeth if they have moisture on them.
Apply tooth enamel with cotton buds and put the lid back on
straight away after you have taken out some enamel.
Remove with a cotton bud and surgical spirit.
Creping of the skin
Use barrier foam on
the area of skin that you are working on.
Shake the old age stipple and pour a small amount into a
bowl.
Stretch the area of skin and apply the old age stipple with
a make-up sponge.
Keep the skin stretched until it has fully dried.
Make sure you feather/blend at the edges.
You can use a hair dryer on a cool setting to help it dry,
make sure you test the temperature on yourself first then use side to side
movements over the skin.
Then apply another layer, and build up however many layers
you want.
Then release the skin and mould the stipple slightly to
create as much wrinkling as possible.
Don’t pour the stipple or any other latex based products
down the sink, wipe the bowls with tissue and throw it in the bin.
To remove the stipple from the skin use warm water.
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